Stella Sidi — Artista visual judío-bulguro-argentina/Bulgarian Argentine Jewish artist– “La vuelta al mundo en 270 días” y otras obras esenciales/”Around the World in 270 Days” and Other Essential Works

Stella Sidi

Stella Sidi nació en Sofía, Bulgaria, junto a sus  padres  iniciaron un éxodo por la persecución nazi,  un largo viaje hasta Buenos Aires. Argentina, donde tenían parientes.

Allí se establecieron. Através de un cuaderno, bitácora de viaje de su mamá se generó una gran muestra sobre la epopeya familiar, en Argentina y en  Bulgaria, auspiciada por la Vice-presidente de su país de nacimiento  (2016/2019)

Estudió en las Escuelas Nacionales de Bellas ARTES obteniendo el título de profesora. Completó sus estudios con diferentes seminarios. Coordina su estudio de enseñanza artística desde el año 1983. Participó en numerosas Ferias Nacionales e Internacionales. Concursó en gran cantidad de Salones Nacionales e Internacionales,  también por Internet. Integró muchas muestras colectivas en el país y el exterior. Obtuvo 20 Premios. Columnista de Artes Plásticas desde 1995. A partir de 1999 dirige y produce  su propio programa dedicado a las Artes Visuales. Actualmente en www.conexionabierta.com.ar, sábados de 4 a 5 pm hora argentina.

Su sitio web es: http://www.stellasidi.com.ar

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Stella Sidi was born in Sofia, Bulgaria, together with her family, made an exodus from Nazi persecution and a long voyage to Buenos Aires. Argentina, where they had relatives.

They settled there. Through a notebook, the travel diary of her mother, a great exhibition was created about the family epic, in Argentina and in Bulgaria, sponsored by the vice president of his country of birth (2016/2019)

She studied at the National Schools of Fine Arts obtaining the title of teacher. She completed her studies with different seminars. Since 1983, She has coordinated her workshop for art study since 1983. She participated in numerous National and International Art Fairs. She participated in a large number of National and International Salons and also online.She joined many group exhibitions in the country and abroad. She obtained 20 Awards.Stella Sidi has been an Arts Columnist since 1995. Since 1999 he directs and produces her own program dedicated to the Visual Arts. Currently at www.conexionabierta.com.ar , Saturdays from 4 to 5 pm Argentine time.

website http://www.stellasidi.com.ar.

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Anuncio/Announcement

 Con motivo del 90 aniversario del establecimiento de relaciones diplomáticas entre Bulgaria y Argentina por invitación del Instituto Estatal de Cultura al Ministro de Relaciones Exteriores Fondo Nacional de Endowion “13 Siglos Bulgaria” presenta la exposición “Tour del Mundo por 270 Días” de Stella Sidi en el Ministerio de Relaciones Exteriores. La exposición forma parte de la colección de NDF “13 Siglos Bulgaria”. Se presenta por primera vez en 2019 bajo el patrocinio de la Sra. Iliana Yotova, Vicepresidenta de la República de Bulgaria, en el Salón “Prof. Dr.Sc.(Econ.) Vasil Gerov” del Fondo.

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On the occasion of the 90th anniversary of the establishment of diplomatic relations between Bulgaria and Argentina at the invitation of the State Institute of Culture to the Minister of Foreign Affairs National Endowion Fund “13 Centuries Bulgaria” presents the exhibition “World Tour for 270 Days” by Stella Sidi in the Ministry of Foreign Relations. The exhibition is part of the NDF collection “13 Centuries Bulgaria”. It is presented for the first time in 2019 under the patronage of Ms Iliana Yotova, Vice President of the Republic of Bulgaria, in the “Prof. Dr.Sc. (Econ.) Vasil Gerov” Hall of the Fund.

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La vuelta al mundo en 270 días/Around the World in 270 Days — Libro de artista/Artist’s Book

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Proyecto de valorización de la memoria vivida y recreada con el presente en forma cinematográfica, mixturando soportes,técnicas, hechos y palabras no lineales. Un cuaderno, bitácora de viaje escrito en francés, del viaje de 9 meses de Sofía (Bulgaria) a Buenos Aires que realicé junto a mis padres en época de crisis causada por la guerra mundial, es el disparador. bordamos países como Turquía, Irán, Irak, India, China Japón, Hawaii, Estados Unidos. Atravesamos desiertos, mares, en barcos colmados de soldados, transcurriendo días en distintos puertos hasta conseguir nuevos destinos, sin pasajes definitivos. El viaje fué concebido a través del océano Pacífico y no del Atlántico. . . Una aventura emprendida con ansias de arribar a un destino seguro y esperanzador. Un reconocimiento al país cobijador,Argentina, y sobre todo revalorizar una epopeya moderna desde un objetivo simple como vivir en paz.

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A project of that valued the lived and recreated memory and with the present in cinematographic form, mixing supports, techniques, words and words in linear format. A notebook, a travel booklet written in French, of a 9-month trip from Sofia, Bulgaria to Buenos Aires, held together by my parents during the crisis caused by the World War, is the trigger. We touch on countries like Turkey, Iran, Irak, India, China Japan, Hawaii, United States. We cross deserts, seas, in the thatched boats of soldiers, spending days in different ports until we reach new destinations, without definitive passages. The journey was conceived across the Pacific Ocean, and not in the Atlantic. . . An adventure undertaken with the desire to arrive at a safe and hopeful destiny. A recognition of the coveted country, Argentina, and above all, giving new value to a modern epic from a simple objective like living in peace.

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Pinturas/Paintings

La nave va. . ./The Ship Leaves. . .50 x 150
Visceral – técnica mixta 30 x 30
Guerra en el mar/War at sea – técnica mixta 40 x 40
Llegada/ Arrival – 100 x 70 técnica mixta.jpg

Libro de artista/Artist’s Book

La vuelta al mundo en 270 días
La vuelta al mundo en 270 días-detalles

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Obras esenciales/Essential Works

Afodita

Afodita-esgrafiado-y-lápiz-sobre-bastidor-100-x-80-980×779

Pandemia

De la serie en pandemia. Tramando -técnica mixta sobre papel- 50 x 70
De la serie Pandemia. Resurgimiento-tinta-lapiz-remolacha-sobre-bastidor-con-fondo-semi-cubierto-con-acrilico-blanco-100-x-70

Costuras y Suturas/Sewing and Sutures

Costuras-y-suturas-técnica-mixta-80-x-100
Costuras-y-suturas–tinta sobre bastidor – 100 x 120
costuras-y-suturas-lápiz sobre papel – 100 x. 80

De varias series/From different series

Besos-brujos/Kiss-Wizards-tinta-50×50
De-la-serie-MACROME/,-Paternidad/Paternity-70-x-100-lápiz-sobre-papel.
De-la-serie-celulas/cells-4-remolacha-te-mate-lapiz-color-acrilico-collage-en-papel-para-acuarela-antiguo-70-x-50
de-la-serie-piel/skin-técnica-mixta-sobre-papel-35-x-70-677×1024

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Leonor Coifman — Artista visual judío-argentina/Jewish Argentine Visual Artist — “Arte espiritual judía”/ “Jewish Spiritual Art”

Leonor Coifman

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Leonor Coifman,  ha cursado estudios en las Escuelas Nacionales de Arte Manuel Belgrano y Prilidiano Pueyrredón, estudió Historia del Arte con Córdova Iturburu, Crítica Plástica con Moraña y perfeccionamiento plástico con Juan Muñeza, habiendo realizado labor docente en escuelas de la Municipalidad de la Ciudad de Buenos Aires y en su taller de Libre Expresión para niños.

Ha realizado numerosas exposiciones colectivas e individuales en conocidas instituciones tales como el Fondo Nacional de las Artes, el salón Isidoro Steimberg, Universidad de Belgrano, Ateneo Popular de la Boca, Sociedad de artistas Plásticos, Círculo Hebreo Argentino, Teatro Municipal General San Martín, Manzana de las Luces, Planetario Galileo Galilei, etc.Ha expuesto en las ciudades más importantes del Perú, en la Ciudad española de Vigo, en México (Primera Bienal Iberoamericana de Pintura).

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Leonor Coifman, has studied at the Manuel Belgrano and Prilidiano Pueyrredón National Art Schools, studied Art History with Córdova Iturburu, Art Criticism with Moraña and advanced art with Juan Muñeza, having done teaching work in schools of the Municipality of the City of Buenos Aires and in its Free Expression workshop for children.

He has made numerous collective and individual exhibitions in well-known institutions such as the National Arts Fund, the Isidoro Steimberg room, the University of Belgrano, Ateneo Popular de la Boca, the Society of Plastic Artists, the Argentine Hebrew Circle, the General San Martín Municipal Theater, Manzana. de las Luces, Planetarium Galileo Galilei, etc. He has exhibited in the most important cities of Peru, in the Spanish City of Vigo, in Mexico (First Ibero-American Biennial of Painting.)

La obra entera de Leonor Coifman

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Pinturas, Grabados, Arte Digital/Paintings, Engravings and Digital Art

Grabados con la técnica de Coolagraf/Prints made with Coolagraph techniques

Jai (Vida)
Pintura con base serigráfica/Painting on Serigraph
La entrega de las diez mandamientos IThe giving of the ten commandments
Obra digital sobre originales/Digital works over originals
La zarza ardiente/The Burning Bush Obra digital sobre originales/Digital works over originals
Mandala Judía
Obra digital sobre originales/Digital works over originals
Creación
Obra digital sobre originales/Digital works over originals
Malkut (Princess)
Obra digital sobre originales/Digital works over originals
Al fin/At the end of times — Arte digital
Contacto
Grabado, monocopia intervenido/Print, a monocopy in which the artist employs several techniques
Banderas sobre diversidad/Flags over Diversidad

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Libro Artista: Tema de Luz/ Artist’s Book: Theme of Light

The candle burns in my window/I, Leonor Coifman, about to turn/eighty-one follow it’s dance, hoping that it with/ it’s light dissipate my shadows and illuminate my world/ and the whole world. /And while the story comes to my memory of the Rabbi and his teaching in “While the Candle Burns” life/ there is still time to repair, to reinvent one’s self, to begin again, to return to make mistakes again and/ to get up again, despite the/shadows that accompany us,/While a candle burns in my window, the light shines, I have life. — Leonor Coifman
On Shabbat, Genie lights the additional/candles, in honor of the many grandmothers, that she found to be Jewish/but had never/been able to light the Sabbath candles./On lighting these candles/Genie imagines them/standing at her side/sharing that/sacred moment. — After centuries,/her Jewish condition. — Genie
What appears to be an act of faith/to light the candles to welcome Shabbat/ to thank life, is a gift to the soul./while two doves wait to take off,/ carrying a message of light. — Martha Wolff
What signs are there in the sky,/I can’t decipher from them/what mystery is hidden in my being/that I can’t decipher (find.) I walk in my soul/move blindly looking for signs./figuring out day by day/what I live (or what I dream)/Knowing that the first road/ is for the inside and that later/I will be able fly off through the world. — Leonor Coifman
A candle, lit, chalice of fire,/between the sky that says goodbye to the day,/its clarity dying in order to give itself/ to the penumbra of the night. small among the immensity that surrounds it/is for Shabbat, the little universe./that prays thanking the Divine Light. — Martha Wolff
Bits of Time Lived — Life is not delivered with/an expiration date, and when that date/approaches us, with serenity and fear,/ we look at ita course and like a puzzle, we begin to put together the times live/with pressure and with love. — Leonor Coifman
Questions and Answers — November 19, 2014,/at nightfall, whenever we have the courage/to ask our being what it needs,/dawn will break and on our pillow/will be the answer./Our life cannon be lived by others, life has to be lived with a passion/so intense, that it hurts./To know that it was fought for/cried over, laughed over and that/is the only way that I know about, to know/that I am here, doing it. Deserving of being Alive.
Two candles brighten, two doves/ pairing with the believer and with the Creator/ creating an invisible union of love/ and celebration. — Martha Wolff
Building Dreams — History speaks of our wisdom/ among the nations and it is necessary ro remind then/ again. Everyone of us, will be a/ bastion with a common front against/ discrimination, hatred and ignorance./ Let us be the dignified transmitters of our legacy/ for future generations, so the Miracle of Light is not lost. – Leonor Coifman
I am fertile earth, which has been seeded/ since a time without history, Seeds of Faith./ My soul conserves deep roots from/ immemorial time, of epopeyas/of vast passages which tenuous threads unite/ with infinite skies, whirlwinds of light and darkness,/that populate the spiralled trip/ in lapsus of life and death. — Leonor Coifman

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Esculturas/Sculptures

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